Best Feature Film
The one we'd pull off the marquee and drive back to see again.
The lights find you before the buildings do.
Las Vegas has never needed permission to put on a show, and independent film shouldn't have to ask twice either. This is a single night built around work made without a studio's backing - the kind of film that gets finished on favors, spare weekends, and a director who refused to wait for someone else's yes.
The night itself runs tight and on purpose. Doors open at 3:30, and the program starts shortly after: a curated block of shorts and features screened back to back, no padding, no filler reel while the room settles. Filmmakers in the room get introduced before their work plays, not after, so the audience knows whose decisions they're about to watch. Awards go out at the end of the block, in person, off a list decided that week - not a predetermined envelope. After that the screen goes dark and the room stays open: no hard cutoff, no second ticket required to keep talking. Directors, editors, and whoever handled sound on a film that just played end up in the same corner comparing notes, the way a real production crowd does when nobody's rushing them out.
We're screening the selected films at Corporate Las Vegas - Workspace Near The Strip, 5725 S Valley View Blvd, Las Vegas, NV, on November 21, 2026, from 3:30 to 5:30 PM. It's a working space, not a hotel ballroom - close enough to the Strip to see the glow, far enough from the casino floor to actually hear the film.
Bring the film that couldn't wait for the sequel it deserved.
The one we'd pull off the marquee and drive back to see again.
For holding a hundred small decisions together into one clear signal.
Structure that survives the trip from page to set intact.
A performance that keeps the room quiet after the credits roll.
The same, for the lead who carried the other half of the night.
Nonfiction work that earns its running time honestly.
Proof that a short runtime isn't a smaller ambition.
For images built to survive a big screen in a dark room.
The cut nobody in the audience noticed, because it never gave them a reason to.
Open to any independently produced short or feature, completed within the last 24 months. Shorts top out at 60 minutes; features have no runtime ceiling.
English language, or English subtitles burned into the file.
One entry per submission form - multiple films need separate entries.
Work financed or distributed by a major studio is not eligible.
Selected filmmakers are invited to attend and are introduced from the floor on the night.
All submitted material - footage, music, likenesses - must be cleared for the filmmaker's use, and the festival holds a one-time right to screen selected work publicly on the night only.
Programming and award decisions are made at the festival's discretion and are final; plagiarized or rights-violating submissions are removed from consideration without notice.